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I am an Anime Artist
natsu-i-fied
15/Female/Canada
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Last Visit: 85 weeks ago
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Costume designers usually work freelance, which means that they do not work for any one particular company, and a large part of their job involves marketing themselves and making contacts. Like other artists and designers, they must create a portfolio of their work to show clients, and they must constantly demonstrate creativity and originality in their ideas.
Income varies widely for costume designers, since they work freelance and are usually paid per production. A costume designer who outfits the actors in a large Broadway show generally earns between $15,000 and $20,000 a year or more. For smaller shows or plays, a designer might only earn between $2,000 and $6,000.
Designers who are paid by the costume may make as little as $100 for a very simple costume, or up to $1,000 or more for a more complex piece. For costume designers who are just beginning their careers, a second job may be necessary. In general, people in this field make between $25,000 and $40,000 a year, though some very successful designers (for example, those involved in Hollywood films) may make a great deal more.
JOB DESCRIPTION
The costumes that actors and other performers wear in movies, television shows, and the theatre help their roles come to life. Just think of a sixteenth century princess wearing an exquisite gown or an outer space adventurer in a futuristic space suit.
Costume designers work within every stage of costume creation, from the initial design to the finished costume and accessories, including hats, dresses, jewellery, shoes, and other items. They work on many different kinds of productions, including films, ballet, circuses, ice skating shows, commercials, and TV programs. Their work involves specialized knowledge of fashion design, as well as historical insight, or even pure fantasy.
For example, a costume designer might create a clown costume for a circus performer or an eighteenth-century gown for an actress in a film. The kinds of costumes created are limited only by imagination—they range from alien uniforms for shows like “Star Trek” to animal disguises for theme parks or sports mascots.
Many areas of costume design require specialized knowledge. Designers who work on period films or shows must know what people wore during certain historical eras, and how to duplicate these outfits as realistically as possible. This knowledge can range from an understanding of corsets and hoop skirts to insight into hippie fashion or educated guesses about what fashion trends will occur later on in the twenty-first century and beyond.
Each costume must go through many stages before it is complete. Costume designers meet with producers, directors and actors to discuss the budget, the theme and the personality of an individual character. This is an important step—obviously, the costume for a surly World War I soldier will be different from that of a shy professor in the 1950s.
After sharing ideas with the producers, directors, actors and other members of the production team, designers then research the period and location in which the production is supposed to take place. They decide on fabric, based on concerns such as durability and price, and make sketches of their ideas for the costumes. When the designs have been accepted, designers measure the actors who will wear the costumes and begin cutting and sewing the costumes. Once the costumes are complete, they make adjustments and sometimes even emergency repairs.
WORKING CONDITIONS
Working conditions vary for costume designers. Since most of them work on a contract basis, their hours may be irregular, and they may go for long periods without work. When designers are involved in a production, they usually work long days—possibly more than 12 hours when they are involved in motion picture productions or other large projects. Those people just starting out in the industry can work even longer hours.
The work of costume designers can be physically exhausting. They spend a great deal of time lifting, bending, kneeling and standing while taking measurements and doing fittings for costumes. Costume designers work with producers, directors, choreographers, actors, hairstylists and special effects crews. They work on sets and in studio locations and this may sometimes involve travel.
Education & Training
There are no formal educational requirements for costume designers, though a related university or college program is highly recommended. Most costume designers have at least a bachelor’s degree, which is often considered necessary for an entry-level position. An MFA (Master of Fine Arts) can give you a competitive edge in the industry and add to your qualifications as a costume designer.
Courses of study should include costume history, drama, theatre technology, theatre history, theatre theory, art history, fashion design, and scenery design. If you pursue freelance work, you should also look into taking courses in business administration, merchandising, and marketing.
Related College & University Programs
Theatre Costuming
Fashion Design
Theatre Studies, General
Dramatic Literature, Theatre History and Criticism
Graphic Design
Design, General
Related Apprenticeship Programs
British Columbia
Other Suggested Qualifications
Experience in amateur theatre groups and drama clubs is a good idea. Knowledge of period and contemporary fashions is necessary. You should also have designing and sewing skills.
As a costume designer, you must be creative, have an eye for colour, pay great attention to detail, and possess strong manual skills. Interpersonal skills are also highly important, as are research skills and a knowledge of textiles and fabrics.
The ability to sketch designs is considered necessary, even with the numerous computer applications available. You should also be able to work with a number of artistic tools, including various pens, pencils, watercolour paints, and drawing inks.
Suggested High School Subjects
Grade 9
English
Mathematics
Science
Social Studies
Creative Arts
Business / Computers
French
Health & Physical Education
Grade 10
English
Mathematics
Science
Social Studies
Personal & Career Development
Dramatic Arts
Visual Arts
Fashion
Grade 11
English
Mathematics
Science
Social Studies
Dramatic Arts
Visual Arts
Fashion
Drafting & Design
Grade 12
English
Literature
Communications & Media Studies
Mathematics
Social Studies
Dramatic Arts
Visual Arts
Fashion
Drafting & Design
CAREER PATH
LEVEL 1 Student in Costume Design
EARNINGS $0 to $10,000 a year (part-time)
REQUIREMENTS • Acceptance into design school
• Skill as a designer
RESPONSIBILITIES Taking classes; designing and making costumes as a freelancer; making connections; continuing to learn new techniques.
LEVEL 2 Costume Designer (Theatre)
EARNINGS $15,000 to $35,000 a year
REQUIREMENTS • Experience in the field or a design degree
RESPONSIBILITIES Working at the theatre: designing and making costumes for theatre productions; possibly doing other freelance work on the side.
LEVEL 3 Design Shop Owner
EARNINGS $25,000 to $40,000 a year
REQUIREMENTS • Many years of experience in the field
• Good management and business skills
RESPONSIBILITIES Doing some costume design; hiring and overseeing staff; attracting clients; performing administrative duties.
Job Description
Naomi Campbell, Linda Evangelista and Christy Turlington. Tall, slim and beautiful. These are some of the names and terms we commonly associate with the word “model,” yet fashion industry supermodels are only a small part of the modeling industry.
Models help promote products and services in a wide range of industries, not just fashion. Companies hire models to advertise their products or services on television, and to appear in magazines and at business conventions in order to make sure the proper image is created for that product.
Models come in all shapes, sizes and ages and have a wide range of physical attributes. For example, companies that sell financial products may want someone who looks conservative and trustworthy rather than sexy and glamorous. A charity for old people may need to photograph an elderly woman. Ring manufacturers may just want someone with elegant-looking hands. Artists' models pose for art classes and professional artists like painters, sculptors and photographers.
A model’s day can be spent working at fashion shows, photo shoots, television or film studios, or trade shows. At fashion shows, a model’s job is to display clothes by walking out on a stage, striking a few poses, and then walking back. He or she must move with confidence and avoid any awkward movements that would draw the audience’s attention away from the clothes.
Photo shoots, which are much more common than fashion shows, can take place in a wide variety of locations: studios, beaches, warehouses, art galleries, etc. At these locations, a model must normally change clothes and makeup several times and often spends many hours posing in uncomfortable or unnatural positions, exposed to everything from bright lights to biting winds.
Models don’t enter the industry on their own. They require the help of an agency first. Modelling agencies work with young models to help them develop modelling skills and a professional working manner, as well as provide them with an understanding of how the modelling business works.
Once models have received training, their agency helps them assemble a portfolio of photographs and then sends it to companies that hire models. Good modelling agencies build a vast network of contacts within the fashion and advertising industries to make sure their models receive extensive exposure. Established models use agencies to schedule their work, negotiate with clients and provide ongoing career counselling. Some specialize in one type of modelling, while others perform various types of work.
Working Conditions
Models work in photographic studios, outside in all kinds of weather, and also on location. Those who do location work may travel to exotic destinations. Some top fashion models even get to “strut their stuff” along “catwalks” in Milan, New York, London and Paris.
Modelling work may look glamorous, but it can be gruelling and tiring. There’s a bit of acting involved, too—it’s hard to look as though you’ve won the lottery when you’ve been having a difficult day.
Full-time models work an average of 20 days a month, but the number of days that they work in any given week can vary significantly. For example, a full-time model could work seven days a week for two weeks straight and then work only two days the following week. On days when models do have work, they typically put in between six and 12 hours. Everyday, whether they are working or not, models must spend time looking after their appearance, attending auditions and interviews, and checking in with their agency.
Models use their own discretion when setting their vacation time. Busy models may tell their agents that they are taking a particular period of time off, regardless of whether or not they have been offered work during that time.
Models who appear in films or television usually belong to the Alliance of Television and Radio Artists (ACTRA), Screen Actors Guild (SAG), Screen Extras Guild (SEG) or all three. Artists' models may belong to models' unions, co-ops, or guilds which schedule jobs and negotiate fees.
Models work for advertising agencies, companies advertising products and sometimes film and television production companies.
Full-time, part-time and contract work is available. If models are on contract, they work for an employer for a certain length of time, for a fixed amount of money. Most models work for employers on a freelance basis, with temporary assignments lasting from one hour to several weeks or months. Relatively few models work full-time for one employer. Those who do usually have other duties such as clerical, sales or other work for the firm during off-seasons. Beginners work only a few hours each week, but they spend a great deal of time auditioning and trying to build a reputation.
Models’ earnings vary enormously. Those paid on an hourly basis earn from around $60 an hour to in excess of $10,000 an hour, with the average hourly rate being around $100.
Part-time beginners may earn as little as $2,000 a year, while supermodels can earn more than $1 million a year. Although models can potentially earn huge salaries, only about 10 percent of them are able earn enough money to survive without a second job. They often wait tables, clean homes or do other jobs to increase their incomes—especially when they are just starting out in the industry. Many models are students and work only when they are not in school.
Education
Education & Training
There are no minimum educational requirements to become a model, but a good educational background is a valuable asset. A well-educated (at least to high school standard) model is more likely to be mature enough to endure the demands of a modelling career. Also, since modelling is a type of performance, any performing experience or training in acting, dance or singing will be useful.
When young models begin working with a modelling agency, the agency usually makes sure that they receive the necessary career training, either through a modelling course, or through the informal instruction of someone with experience in the industry.
Related College & University Programs
Acting
Dance
Other Suggested Qualifications
Choosing an agency is probably the most important decision that a model will make. To avoid being taken advantage of and determine which modelling agencies are reputable, young models should contact their local Better Business Bureau. This point should not be taken lightly. Unfortunately, there are a number of agencies out there involved in unfair practises (such as demanding large fees before accepting a new model), so it is very important that people interested in getting into the industry seek out respected and established agencies.
The ability to speak more than one language is important for models who would like to work internationally. Many of the world’s major fashion centers, including Paris, Milan and Tokyo, are in non-English speaking countries.
Suggested High School Subjects
Grade 9
English
Mathematics
Science
Social Studies
Creative Arts
Business / Technology
French
Health & Physical Education
Grade 10
English
Mathematics
Science
Social Studies
Personal & Career Development
Dance
Dramatic Arts
Health & Physical Education
Fashion
Grade 11
English
Mathematics
Science
Social Studies
Dance
Dramatic Arts
Health & Physical Education
Fashion
Grade 12
English
Communications & Media Studies
Mathematics
Social Studies
Dance
Dramatic Arts
Health & Physical Education
Fashion
Career Path
LEVEL 1 Modelling Student
EARNINGS $0 to $5,000 a year
REQUIREMENTS • Good interpersonal skills
RESPONSIBILITIES Learning about all aspects of modelling (posing and the art of movement, modelling terminology, personal health care, appearance maintenance, modelling agency procedures, carrying yourself with poise and confidence); doing a couple of photo shoots as a learning experience.
LEVEL 2 Beginner Model (often still in school)
EARNINGS $3,000 to $20,000 a year
REQUIREMENTS • Some basic modelling training
• Portfolio
RESPONSIBILITIES Circulating your portfolio; maintaining your appearance; attending “go-sees” and auditions; working at photo shoots and fashion shows (possibly some acting); honing your modelling skills.
LEVEL 3 National Professional Model
EARNINGS $15,000 to $50,000 a year
REQUIREMENTS • Training as a model
• 1 to 3 years of experience in doing photo shoots, runway modelling, and/or acting spots
• Solid demand for your modelling services
RESPONSIBILITIES Staying in good physical condition; working more often; developing a professional working manner; updating your porfolio.
LEVEL 4 International Professional Model
EARNINGS $50,000 to $1 million or more a year
REQUIREMENTS • 1 to 5 years of experience in doing photo shoots, runway modelling, and/or acting spots
• International demand for your modelling services
RESPONSIBILITIES Maintaining your physical condition; working regularly around the world.
SORRY Home work lmao
--
I you and you and not you and i you ^_^ @_@ *________* yay
Christmas
--
◕ ◡ ◕
long time no talki
--
Throw reason out the window i guess if you want to be happy
I would like it if the voices shut up every once and awhile. The one that speaks only Russian is starting to piss me off.
AKIRA
--
"Real courage is overcoming your perzonal fearz" -- Dethay/~samisi
Why do we fall? So that we learn to pick ourselves up -- Batman Begins
--
I can still feel you, even so far away...
Costume designers usually work freelance, which means that they do not work for any one particular company, and a large part of their job involves marketing themselves and making contacts. Like other artists and designers, they must create a portfolio of their work to show clients, and they must constantly demonstrate creativity and originality in their ideas.
Income varies widely for costume designers, since they work freelance and are usually paid per production. A costume designer who outfits the actors in a large Broadway show generally earns between $15,000 and $20,000 a year or more. For smaller shows or plays, a designer might only earn between $2,000 and $6,000.
Designers who are paid by the costume may make as little as $100 for a very simple costume, or up to $1,000 or more for a more complex piece. For costume designers who are just beginning their careers, a second job may be necessary. In general, people in this field make between $25,000 and $40,000 a year, though some very successful designers (for example, those involved in Hollywood films) may make a great deal more.
JOB DESCRIPTION
The costumes that actors and other performers wear in movies, television shows, and the theatre help their roles come to life. Just think of a sixteenth century princess wearing an exquisite gown or an outer space adventurer in a futuristic space suit.
Costume designers work within every stage of costume creation, from the initial design to the finished costume and accessories, including hats, dresses, jewellery, shoes, and other items. They work on many different kinds of productions, including films, ballet, circuses, ice skating shows, commercials, and TV programs. Their work involves specialized knowledge of fashion design, as well as historical insight, or even pure fantasy.
For example, a costume designer might create a clown costume for a circus performer or an eighteenth-century gown for an actress in a film. The kinds of costumes created are limited only by imagination—they range from alien uniforms for shows like “Star Trek” to animal disguises for theme parks or sports mascots.
Many areas of costume design require specialized knowledge. Designers who work on period films or shows must know what people wore during certain historical eras, and how to duplicate these outfits as realistically as possible. This knowledge can range from an understanding of corsets and hoop skirts to insight into hippie fashion or educated guesses about what fashion trends will occur later on in the twenty-first century and beyond.
Each costume must go through many stages before it is complete. Costume designers meet with producers, directors and actors to discuss the budget, the theme and the personality of an individual character. This is an important step—obviously, the costume for a surly World War I soldier will be different from that of a shy professor in the 1950s.
After sharing ideas with the producers, directors, actors and other members of the production team, designers then research the period and location in which the production is supposed to take place. They decide on fabric, based on concerns such as durability and price, and make sketches of their ideas for the costumes. When the designs have been accepted, designers measure the actors who will wear the costumes and begin cutting and sewing the costumes. Once the costumes are complete, they make adjustments and sometimes even emergency repairs.
WORKING CONDITIONS
Working conditions vary for costume designers. Since most of them work on a contract basis, their hours may be irregular, and they may go for long periods without work. When designers are involved in a production, they usually work long days—possibly more than 12 hours when they are involved in motion picture productions or other large projects. Those people just starting out in the industry can work even longer hours.
The work of costume designers can be physically exhausting. They spend a great deal of time lifting, bending, kneeling and standing while taking measurements and doing fittings for costumes. Costume designers work with producers, directors, choreographers, actors, hairstylists and special effects crews. They work on sets and in studio locations and this may sometimes involve travel.
Education & Training
There are no formal educational requirements for costume designers, though a related university or college program is highly recommended. Most costume designers have at least a bachelor’s degree, which is often considered necessary for an entry-level position. An MFA (Master of Fine Arts) can give you a competitive edge in the industry and add to your qualifications as a costume designer.
Courses of study should include costume history, drama, theatre technology, theatre history, theatre theory, art history, fashion design, and scenery design. If you pursue freelance work, you should also look into taking courses in business administration, merchandising, and marketing.
Related College & University Programs
Theatre Costuming
Fashion Design
Theatre Studies, General
Dramatic Literature, Theatre History and Criticism
Graphic Design
Design, General
Related Apprenticeship Programs
British Columbia
Other Suggested Qualifications
Experience in amateur theatre groups and drama clubs is a good idea. Knowledge of period and contemporary fashions is necessary. You should also have designing and sewing skills.
As a costume designer, you must be creative, have an eye for colour, pay great attention to detail, and possess strong manual skills. Interpersonal skills are also highly important, as are research skills and a knowledge of textiles and fabrics.
The ability to sketch designs is considered necessary, even with the numerous computer applications available. You should also be able to work with a number of artistic tools, including various pens, pencils, watercolour paints, and drawing inks.
Suggested High School Subjects
Grade 9
English
Mathematics
Science
Social Studies
Creative Arts
Business / Computers
French
Health & Physical Education
Grade 10
English
Mathematics
Science
Social Studies
Personal & Career Development
Dramatic Arts
Visual Arts
Fashion
Grade 11
English
Mathematics
Science
Social Studies
Dramatic Arts
Visual Arts
Fashion
Drafting & Design
Grade 12
English
Literature
Communications & Media Studies
Mathematics
Social Studies
Dramatic Arts
Visual Arts
Fashion
Drafting & Design
CAREER PATH
LEVEL 1 Student in Costume Design
EARNINGS $0 to $10,000 a year (part-time)
REQUIREMENTS • Acceptance into design school
• Skill as a designer
RESPONSIBILITIES Taking classes; designing and making costumes as a freelancer; making connections; continuing to learn new techniques.
LEVEL 2 Costume Designer (Theatre)
EARNINGS $15,000 to $35,000 a year
REQUIREMENTS • Experience in the field or a design degree
RESPONSIBILITIES Working at the theatre: designing and making costumes for theatre productions; possibly doing other freelance work on the side.
LEVEL 3 Design Shop Owner
EARNINGS $25,000 to $40,000 a year
REQUIREMENTS • Many years of experience in the field
• Good management and business skills
RESPONSIBILITIES Doing some costume design; hiring and overseeing staff; attracting clients; performing administrative duties.
Job Description
Naomi Campbell, Linda Evangelista and Christy Turlington. Tall, slim and beautiful. These are some of the names and terms we commonly associate with the word “model,” yet fashion industry supermodels are only a small part of the modeling industry.
Models help promote products and services in a wide range of industries, not just fashion. Companies hire models to advertise their products or services on television, and to appear in magazines and at business conventions in order to make sure the proper image is created for that product.
Models come in all shapes, sizes and ages and have a wide range of physical attributes. For example, companies that sell financial products may want someone who looks conservative and trustworthy rather than sexy and glamorous. A charity for old people may need to photograph an elderly woman. Ring manufacturers may just want someone with elegant-looking hands. Artists' models pose for art classes and professional artists like painters, sculptors and photographers.
A model’s day can be spent working at fashion shows, photo shoots, television or film studios, or trade shows. At fashion shows, a model’s job is to display clothes by walking out on a stage, striking a few poses, and then walking back. He or she must move with confidence and avoid any awkward movements that would draw the audience’s attention away from the clothes.
Photo shoots, which are much more common than fashion shows, can take place in a wide variety of locations: studios, beaches, warehouses, art galleries, etc. At these locations, a model must normally change clothes and makeup several times and often spends many hours posing in uncomfortable or unnatural positions, exposed to everything from bright lights to biting winds.
Models don’t enter the industry on their own. They require the help of an agency first. Modelling agencies work with young models to help them develop modelling skills and a professional working manner, as well as provide them with an understanding of how the modelling business works.
Once models have received training, their agency helps them assemble a portfolio of photographs and then sends it to companies that hire models. Good modelling agencies build a vast network of contacts within the fashion and advertising industries to make sure their models receive extensive exposure. Established models use agencies to schedule their work, negotiate with clients and provide ongoing career counselling. Some specialize in one type of modelling, while others perform various types of work.
Working Conditions
Models work in photographic studios, outside in all kinds of weather, and also on location. Those who do location work may travel to exotic destinations. Some top fashion models even get to “strut their stuff” along “catwalks” in Milan, New York, London and Paris.
Modelling work may look glamorous, but it can be gruelling and tiring. There’s a bit of acting involved, too—it’s hard to look as though you’ve won the lottery when you’ve been having a difficult day.
Full-time models work an average of 20 days a month, but the number of days that they work in any given week can vary significantly. For example, a full-time model could work seven days a week for two weeks straight and then work only two days the following week. On days when models do have work, they typically put in between six and 12 hours. Everyday, whether they are working or not, models must spend time looking after their appearance, attending auditions and interviews, and checking in with their agency.
Models use their own discretion when setting their vacation time. Busy models may tell their agents that they are taking a particular period of time off, regardless of whether or not they have been offered work during that time.
Models who appear in films or television usually belong to the Alliance of Television and Radio Artists (ACTRA), Screen Actors Guild (SAG), Screen Extras Guild (SEG) or all three. Artists' models may belong to models' unions, co-ops, or guilds which schedule jobs and negotiate fees.
Models work for advertising agencies, companies advertising products and sometimes film and television production companies.
Full-time, part-time and contract work is available. If models are on contract, they work for an employer for a certain length of time, for a fixed amount of money. Most models work for employers on a freelance basis, with temporary assignments lasting from one hour to several weeks or months. Relatively few models work full-time for one employer. Those who do usually have other duties such as clerical, sales or other work for the firm during off-seasons. Beginners work only a few hours each week, but they spend a great deal of time auditioning and trying to build a reputation.
Models’ earnings vary enormously. Those paid on an hourly basis earn from around $60 an hour to in excess of $10,000 an hour, with the average hourly rate being around $100.
Part-time beginners may earn as little as $2,000 a year, while supermodels can earn more than $1 million a year. Although models can potentially earn huge salaries, only about 10 percent of them are able earn enough money to survive without a second job. They often wait tables, clean homes or do other jobs to increase their incomes—especially when they are just starting out in the industry. Many models are students and work only when they are not in school.
Education
Education & Training
There are no minimum educational requirements to become a model, but a good educational background is a valuable asset. A well-educated (at least to high school standard) model is more likely to be mature enough to endure the demands of a modelling career. Also, since modelling is a type of performance, any performing experience or training in acting, dance or singing will be useful.
When young models begin working with a modelling agency, the agency usually makes sure that they receive the necessary career training, either through a modelling course, or through the informal instruction of someone with experience in the industry.
Related College & University Programs
Acting
Dance
Other Suggested Qualifications
Choosing an agency is probably the most important decision that a model will make. To avoid being taken advantage of and determine which modelling agencies are reputable, young models should contact their local Better Business Bureau. This point should not be taken lightly. Unfortunately, there are a number of agencies out there involved in unfair practises (such as demanding large fees before accepting a new model), so it is very important that people interested in getting into the industry seek out respected and established agencies.
The ability to speak more than one language is important for models who would like to work internationally. Many of the world’s major fashion centers, including Paris, Milan and Tokyo, are in non-English speaking countries.
Suggested High School Subjects
Grade 9
English
Mathematics
Science
Social Studies
Creative Arts
Business / Technology
French
Health & Physical Education
Grade 10
English
Mathematics
Science
Social Studies
Personal & Career Development
Dance
Dramatic Arts
Health & Physical Education
Fashion
Grade 11
English
Mathematics
Science
Social Studies
Dance
Dramatic Arts
Health & Physical Education
Fashion
Grade 12
English
Communications & Media Studies
Mathematics
Social Studies
Dance
Dramatic Arts
Health & Physical Education
Fashion
Career Path
LEVEL 1 Modelling Student
EARNINGS $0 to $5,000 a year
REQUIREMENTS • Good interpersonal skills
RESPONSIBILITIES Learning about all aspects of modelling (posing and the art of movement, modelling terminology, personal health care, appearance maintenance, modelling agency procedures, carrying yourself with poise and confidence); doing a couple of photo shoots as a learning experience.
LEVEL 2 Beginner Model (often still in school)
EARNINGS $3,000 to $20,000 a year
REQUIREMENTS • Some basic modelling training
• Portfolio
RESPONSIBILITIES Circulating your portfolio; maintaining your appearance; attending “go-sees” and auditions; working at photo shoots and fashion shows (possibly some acting); honing your modelling skills.
LEVEL 3 National Professional Model
EARNINGS $15,000 to $50,000 a year
REQUIREMENTS • Training as a model
• 1 to 3 years of experience in doing photo shoots, runway modelling, and/or acting spots
• Solid demand for your modelling services
RESPONSIBILITIES Staying in good physical condition; working more often; developing a professional working manner; updating your porfolio.
LEVEL 4 International Professional Model
EARNINGS $50,000 to $1 million or more a year
REQUIREMENTS • 1 to 5 years of experience in doing photo shoots, runway modelling, and/or acting spots
• International demand for your modelling services
RESPONSIBILITIES Maintaining your physical condition; working regularly around the world.
SORRY Home work lmao
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I
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